The six tracks on the original Flightless album were recorded in a tiny studio in Nottingham in late 1988, with the album being released (on vinyl only) the following Spring. The sessions were engineered by Dave Hadley, whose tireless enthusiasm and friendship were - and remain – the catalyst for a reasonable amount of recording, and an unreasonable amount of lunch.
Flightless, the title track, is a staging of Beckett’s “Krapp’s Last Tape”; when I play it now, it’s a song about itself, referring to itself across the decades. The rest of the album toils under the yoke of my characteristic bleating on the subject of human stupidity in its various forms. Sadly, little appears to have changed – 2016 represented a high-water mark (depressingly prescient as that phrase might be) in the history of wilful cluelessness, but I suspect that the worst is yet to come.
The three extra tracks on this release are demo recordings from roughly the same era.
At that time, I was dividing my attention between frequent live performance (solo, since the dissolution of Twice Bitten in 1986) and sound engineering (by this time I was touring regularly with Pendragon.) Since then my recorded output has been somewhat less than bounteous; there have been releases and production collaborations with Coltsfoot, Mazlyn Jones, Anthony Phillips, Skyclad and others, but the long-threatened “new solo album” remains as hypothetical as ever. As the gap between “finish writing it” and “start recording it” nears 30 years, all I can say is that one doesn’t like to rush these things…
In mitigation, I’ve been a bit busy; I spent the 90’s touring as sound engineer and tour manager for various rock bands (principally Rage Against the Machine) and, since coming off the road, have found a plethora of increasingly implausible excuses for not getting around to doing any recording (raising a family, playing cricket, going to Antarctica, playing more cricket, Twice Bitten reunion gigs, watching cricket, being generally useless.) And doing other things under other names.
This re-release has come about through the support (and, let’s face it, foolhardiness) of the estimable David Elliott, veteran of the 80’s Nottingham Heavy Wood scenario and now supremo of the mighty Bad Elephant label. He has been known to say “new solo album” without sniggering. Hmm… Dave – time for lunch…
released February 3, 2017
Written & performed by Rog Patterson (guitars, basses, vocals, lunch)
Tracks 1-6 recorded 1988 at the Canning Factory, Nottingham
Engineered by Dave Hadley
Mixed by Chris Walker & Dave Chang
Tracks 7-9 recorded 1987-89 at home (Radford Boulevard Hippy Sanctuary)
Cover art by Andreas Wittmer & Pete McCormick
CD edition design by Rog Patterson and Stefan Hepe
2017 release mastered by Daniel Bowles at Seren Sounds Suite
Greg Smith and Rog Patterson met at Nottingham University in 1982. A shared love of the work of Anthony Phillips and 12-
string guitars led to them writing quasi-prog compositions and inventing 'heavy wood' - melodic music relying on electric and acoustic stringed instruments with no keyboards or drums....more
Ah, why didn't I buy this earlier? Has been on my wishlist since it's release and Bad Elephant Music's sampler and ongoing sales campaign luckily triggered the buy.
Tags given are post-progressive and post-rock, but the music feels much lighter than I usually associate with those tags. Quite song-oriented, indeed. Great music, great vocals. Carsten Pieper
A truly GREAT! live album that captures all the classic tracks from Cocoon and the songs benefit really well by having a band with him, even though Pete Jones can even sound well good on his own. It's highly entertaining and truly captures what would of been a magical night and comes with an excellent honest recording that makes you feel like you are actually there yourself. Lee Lucas